Curators in Residence
Curators who work in today's global arena create a significant nexus between artists, institutions and different audiences. KfW Stiftung's curators-in-residence programme offers promising up-and-coming curators from Latin America, Africa, the Middle East and Asia the opportunity to spend several months in Berlin, thus promoting intercultural and discursive exchange in exhibition organisation.
There are two grants each year, one in cooperation with the DAAD Artists-in-Berlin Program, another one with the Institute for Foreign Cultural Relations e.V. (ifa).
The programme in collaboration with the DAAD Artists-in-Berlin Program is an open grant scheme. It serves to conduct research and establish a professional network. Internationally renowned curators and artists from Latin America, Africa, the Middle East and Asia nominate aspiring curators. Direct applications are not accepted. A jury of experts selects the grand holder.
The residency results from the collaboration with the ethnographic museum Weltkulturen Museum in Frankfurt am Main (2014-2015). This programme afforded the opportunity to work with the museum's collection with the aim of providing a contemporary arts perspective. Since 2017 the Institute for Foreign Cultural Relations e.V. (ifa) is partner of the programme. The purpose of the residency is to raise critical awareness of postcolonial discourses, as well as to encourage intellectual engagement with cultural heritage in relation to contemporary art. The grand holders design exhibitions which will be shown at the ifa Gallery Berlin. Selection procedure: www.ifa.de/en.html. A jury of experts selects the successful candidate.
Jurys
Doreen Mende (Geneva University of Art and Design, Geneva)
Ariane Beyn/Bettina Klein (DAAD Artists-in-Berlin Program)
Dr. Nicola Müllerschön (KfW Stiftung)
- Elena Agudio (Savvy Contemporary, Berlin)
- Julia Grosse (Contemporary And)
- Alya Sebti (ifa-Galerie, Berlin)
- Dr. Marie-Hélène Gutberlet (KfW Stiftung)
- Prof. Dr. Beatrice von Bismarck (HGB Leipzig)
- Ariane Beyn/Bettina Klein (DAAD Artists-in-Berlin Program)
- Dr. Nicola Müllerschön (KfW Stiftung)
Curators
Curators in Residence” grant scheme organised by KfW Stiftung in collaboration with the Institute for Foreign Cultural Relations (ifa)
Omar Berrada is a writer and curator, and the director of Dar al-Ma’mûn, a library and artists residency in Marrakech. Previously, he organized public programs at Centre Pompidou, hosted shows on French national radio, ran Tangier’s International Book Salon, and co-directed Dubai’s Global Art Forum. He recently edited The Africans, a book on migration and racial politics in Morocco, and curated ‘Black Hands’, a solo show of M’barek Bouhchichi’s work at Kulte Gallery in Rabat. In 2016 he curated exhibitions at the Marrakech Biennale and at Witte de With in Rotterdam, centering on the work and archive of writer and filmmaker Ahmed Bouanani, whose posthumous history of Moroccan cinema he is currently editing. In 2017 Omar was the guest curator of the Abraaj Group Art Prize and a co-editor of Sharjah Biennial’s web journal tamawuj.org. He curated the 2018 editions of the 1-54 Forum, in New York and Marrakech. Currently living in New York, he teaches at The Cooper Union where he co-organizes the IDS Lecture Series.
During his three months residency, Omar Berrada curates an exhibtion with Saba Innab.
Exhibition: Station Point – Mit den Augen vermessen
- Artist: Saba Innab
Curator: Omar Berrada, „Curators in Residence“-programme of KfW Stiftung
- ifa-Galerie | Berlin | 30.08.2019 – 01.12.2019
During his three months residency, Omar Berrada curates an exhibtion with Saba Innab.
Saba Innab is a Jordanian-Palestinian artist whose work builds upon her training and ongoing practice as an architect. It has developed both out of her personal experience of diaspora, and out of her participation, as a young architect, in the UN-led reconstruction of Nahr al-Bared refugee camp in Lebanon. Through drawings, architectural models and texts, it moves from concrete issues regarding the architecture of refugee camps, to larger philosophical and political questions about space, time, power, and survival. How to build without a land? What does it mean to dwell in temporariness? And what happens when such temporariness becomes a permanent condition? Innab’s work is an exploration of the notions of alienation and deterritorialization.
As an architect, Saba Innab calls attention to the complicity of architecture with structures of power. Art is her chosen tool to conduct this critique. It provides her with a vantage point from which to probe the tension between building and dwelling, between architecture and lived experiences of space. Her formal and theoretical research departs from a process of collecting. She collects different patterns of dwelling-in-temporariness, which she recognizes as architectural archetypes and know-hows that span geographically and territorially.
The current exhibition project is an extension of Saba Innab’s previous research. It looks at how our understanding of dwelling-in-temporariness is further complicated when juxtaposed with processes of modernization and modernity in the host countries. For instance, the historical moment of European modernity, which saw the rise of the notion of Nation-state, was also, in the Arab region, the moment of refuge and exile, which can be understood as an inscription of the colonial effect onto space. Therefore a central question that will guide our investigation is: how do Modernity and its canons look if we look at them from the permanent temporariness?
Saba Innab was born in Kuwait in 1980 and is currently an architect, urban researcher, and artist practicing out of Amman and Beirut. She holds a Bachelor of Architecture Engineering from the Jordan University of Science and Technology. Innab has worked as an architect with UNRWA on the reconstruction of Nahr el Bared Palestinian refugee Camp in the North of Lebanon, a project nominated for the Aga Khan Award for Architecture in 2013. In 2014, she has received the visiting research fellowship initiated by Studio X Amman (GSAPP). Through painting, mapping, sculpture, model making and design, her work explores the suspended states between temporality and permanence, and is concerned with variable notions of dwelling and building and their political, spatial and poetic implications in language and architecture.
Adress and opening hours
ifa Gallery Berlin
Linienstraße 139/140
10115 Berlin
Phone: +49 30 284491 40
Tuesday – Sunday: 14.00 – 18.00 Uhr
Closed on Mondays and on Holidays
Further Information here.
‘Curators in Residence’ grant scheme organised by KfW Stiftung in collaboration with DAAD Artists-in-Berlin Programme
Kwasi Ohene-Ayeh (born in Accra/Ghana in 1986) is a curator, writer and artist based in Accra and Kumasi/Ghana. He permanently works, as a curator and PHD student, with blaxTARLINES KUMASI – the project space and contemporary art incubator at the Department of Painting and Sculpture, Kwame Nkrumah University of Science & Technology (KNUST) in Ghana. Ohene-Ayeh recognizes writing and curating as necessary extra-artistic roles which enable him to critically respond to concerns related to the Ghanaian art scene in conversation with global matters. He was a guest curator for the inaugural Lagos Biennial, “Living on the Edge” (2017) and is the co-editor of the monograph "Ibrahim Mahama Exchange-Exchanger (1957-2057)" published by Buchhandlung Walther König on the occasion of Ibrahim Mahama’s participation in documenta 14 in Athens and Kassel (2017). He actively writes and publishes texts on www.iubeezy.wordpress.com.
Essay "On Universality and Curating in the Void" (created for the lecture "On Universality and Multiplicity: Curating from the Void" on 25. January 2019 in Berlin)
Dates
On Universality and Multiplicity: Curating from the Void
Lecture by Kwasi Ohene-Ayeh and Tracy Naa Koshie Thompson
January 25, 2019, 7 p.m.
daadgalerie, Berlin
During their presentation, Kwasi Ohene-Ayeh and Tracy Naa Koshie Thompson will introduce their respective independent curatorial and artistic practices as examples of the “silent revolution” initiated by blaxTARLINES KUMASI—the contemporary art incubator based at the Department of Painting and Sculpture at Kwame Nkrumah University of Science and Technology (KNUST)—towards universalism, in the context of contemporary art practice in Ghana.
Kwasi Ohene-Ayeh is an artist, curator and writer based in Kumasi, Ghana. He is the current grant holder of KfW Stiftung’s programme 'Curators in Residence: Curating Connections’ in collaboration with the DAAD artists-in-Berlin programme. Ohene-Ayeh has co-curated Silence Between the Lines: Anagrams of Emancipated Futures (2015) and Orderly Disorderly (2017), both organized by blaxTARLINES KUMASI. He was guest curator for the inaugural Lagos Biennial (2017) and recently curated Spectacles. Speculations… (2018), featuring 16 artists from Ghana, Holland and Colombia, in Kumasi. He is currently a PhD student at KNUST and publishes essays on www.iubeezy.wordpress.com.
Tracy Naa Koshie Thompson (Ghana) explores the latent ability of ubiquitous materials (synthetic or natural) to transform into unrecognizable, strange, new and mimicry forms. For this purpose, she employs alchemical processes of dissolution and crystallization of the varied morphology of things. Thompson’s emancipated approach to making art creates a disposition that transcends given notions of the art apparatus itself and questions what it could potentially be. She has participated in two large-scale exhibitions organized by blaxTARLINES KUMASI in Accra, namely Cornfields in Accra (2016) and Orderly Disorderly (2017). Thompson is an MFA student at KNUST and is currently participating in the intercontinental exchange programme at Städelschule in Frankfurt, Germany.
You can find the recording of the full event on our Youtube-channel.
Lecture by Kwasi Ohene-Ayeh, "In Terms of Images"
14 November 2018, 7pm
Städelschule, Frankfurt
In this lecture, Kwasi Ohene-Ayeh will explain the curatorial decisions made for the exhibition he recently curated in Kumasi, Ghana, titled “Spectacles. Speculations…” (February - July 2018). The exhibition features 16 artists from Ghana, Colombia and Holland whose works employ visual, gestural and auditory techniques of image production. An ensemble of mediums, including braille, text, photography, video, sound, black box theatre, sculpture, and spoken word poetry, are used as aesthetic forms through which to probe the contradictory unity that exists between separation and participation in relation to the capitalist enigma of the spectacle.
Veranstaltung mit Kwasi Ohene-Ayeh zu seiner kuratorischen Praxis:
18. Oktober 2018, 19 Uhr
Hochschule für Grafik und Buchkunst (HGB), Leipzig
“Curators in Residence” grant scheme organised by KfW Stiftung in collaboration with the Institute for Foreign Cultural Relations (ifa)
Bhavisha Panchia (born 1985 in Durban) is a curator focusing on audiovisual culture and the production and circulation of (digital) media. Her Research interests include anti/decolonial practices and global South-North relations especially in African art and its diaspora. She holds a BA Fine Arts Degree and MA History of Art Degree from the University of the Witwatersrand in Johannesburg and a MA Degree from the Center for Curatorial Studies at Bard College in New York. She curated the exhibitions “Buried the Mix” at MEWO Kunsthalle in Memmingen, 2017-18, and “what is left of what has left” at Bard College in New York, 2016. She is the founder of “Nothing to Commit Records” (NTCR), a label and publishing platform committed to contemporary art, literature and music within and across the global South.
During her three-month residency at ifa Marina Reyes Franco develops an exhibition within the framework of the research and exhibition programme „Untie to Tie II – Movement. Bewegung“.
Exhibition
Exhibition „For the Record“
Curated by Bhavisha Panchia
With works by NON Worldwide, Lamin Fofana, Geraldine Juarez ,Christine Sun Kim, Jace Clayton, Vivian Cacurri, Julio Cesar Morales / Club Cornin and Camae Aweya
ifa-Galerie Berlin
Linienstraße 139/140
10115 Berlin
2 June to 2 September 2018
Opening 1 Juni 2018, 7pm
‘Curators in Residence’ grant scheme organised by KfW Stiftung in collaboration with DAAD Artists-in-Berlin Programme
Florencia Portocarrero (Lima, 1981) is a researcher, writer and curator. She obtained her BA in Clinical Psychology at the “Catholic University of Peru”, where she also received her MA in Psychoanalytical Theory. During the 2012/2013 Portocarrero participated in de “De Appel Curatorial Programme” in Amsterdam and in 2015 she completed a MA in Contemporary Art Theory at “Goldsmiths University” in London, where she graduated with honours. Portocarrero regularly collaborates with contemporary art magazines, such as Artishock and Terremoto; and has contributed with her writings on art and culture in numerous publications. In Lima, she works as a Public Program Curator at “Proyecto AMIL”, and is a Co-Founder of “Bisagra”, one of the few independent art spaces in the city.
Dates
Symposium by Florencia Portocarrero, "Knowledge Entanglements: Beyond Abyssal Thinking"
11 July 2018, 6 pm
daadgalerie, Berlin
Lecture by Florencia Portocarrero, "New Bourgeois Latin Immigrant who Learned Shopping and has Good Taste: Identity Subversions in the work of Elena Tejada-Herrera"
23 January 2018, 7pm
Städelschule, Frankfurt
Video: Symposium: Knowledge Entanglements: Beyond Abyssal Thinking
“Curators in Residence” grant scheme organised by KfW Stiftung in collaboration with the Institute for Foreign Cultural Relations (ifa)
Marina Reyes Franco (born 1984 in San Juan/Puerto Rico, where she lives and works) is an art historian and independent curator. She received a BA in Art History from the University of Puerto Rico and a MA in Argentine and Latin American Art History at the Universidad Nacional de San Martin - Instituto de Altos Estudios Sociales (IDAES-UNSAM). She is the co-founder and former director of La Ene, Nuevo Museu Energía de Arte Contemporáneo, a museum for contemporary art in Buenos Aires. A selection of recent projects include: "Procession Migration," a Papo Colo performance in the tropical forest, co-curated with Klaus Biesenbach, Armig Santos and Tiffany Zabludowicz, and organized with the support of MoMA PS1 (2017); The 2nd Grand Tropical Biennial, co-curated with Pablo León de la Barra, Stefan Benchoam and Radamés "Juni" Figueroa (2016); "A Summer in Puerta de Tierra," an exhibition and day outing in a San Juan neighborhood in response to the policies of population displacement and tourism focus in the area (2015); "Calibán", a selection of Puerto Rican contemporary artists at the Museum of Contemporary Art in San Juan (2014) and "Sucursal" at the Museum of Latin American Art in Buenos Aires, co-curated with Gala Berger, Sofía Dourron and Santiago Villanueva.
During her three-month residency at ifa Marina Reyes Franco develops an exhibition within the framework of the research and exhibition programme „Untie to Tie – On Colonial Legacies and Contemporary Societies“.
Exhibition
Exhibition „Watch your Step / Mind your Head“
Curated by Marina Reyes Franco
With works by Irene de Andrés und Sofía Gallisá Muriente
ifa-Galerie Berlin
Linienstraße 139/140
10115 Berlin
23 June to 17 September 2017
Opening 22 June 2017, 7pm
Watch your step / Mind your head
Irene de Andrés and Sofía Gallisá Muriente present a selection of works developed in close conversation between 2015 and 2017 that ponder the question of who constructs the concept of paradise and who consumes it the most, as experienced from the Caribbean nation of Puerto Rico. A former Spanish colony, Puerto Rico is a Caribbean 'possession' of the United States since 1898. Once a beacon of American progress, Puerto Rico has experienced decades of progressive economic collapse, and is currently $123 billion dollars in debt. Since September 2016, a US-appointed fiscal control board has supervised the imposition of severe austerity measures, while at the same time favoring tax haven laws and the 'visitor economy' as a way out of the depression.
Within this context, Irene de Andrés and Sofía Gallisá Muriente work in tandem to question how cultural differences are marketed within the new colonial relationship that the tourism industry embodies. The artists work in photography, print, installation and video formats, remixing original and sourced materials that include photographs, short documentaries, propaganda, and vacation videos from various official and personal archives, as well as the internet. Taking a cue from contemporary urban culture, the artists have collaborated in their videos with a local musician and a DJ to construct alternate soundscapes to the usual tropical narratives.
In their pieces, both artists take a look at the post military landscape of abandoned US Navy bases, monuments, advertisement campaigns, mid-20th century industrialization, and hotel construction. This exhibition has come together because of the artists’ common interest in examining and contesting the visual economy of tourism and the representation of the Caribbean as constructed for tourists and investors. Through different strategies and methodologies, both artists question the narratives, images and tropes preserved in archives and other state propaganda, in order to expose the mechanisms that perpetuate them. These works strive to rid themselves of the colonizing gaze; these works are aware of how they’re looked at,
‘Curators in Residence’ grant scheme organised by KfW Stiftung in collaboration with DAAD Artists-in-Berlin Programme
Shabbir Hussain Mustafa (born 1984 in Colombo/Sri Lanka, lives and works in Singapore) curated SEA STATE featuring artist Charles Lim Yi Yong for the Singapore Pavilion at the 56th Venice Biennale. He is Senior Curator at the National Gallery Singapore, where he currently heads the curatorial team overseeing Between Declarations and Dreams, a long-term exhibition that surveys art about the region from the 19th century to present day. From 2013-2015, he was lead curator of Siapa Nama Kamu? (in Malay, What is Your Name?), the Gallery’s other long-term exhibition that focuses on art in Singapore from the late 19th century onwards. Much of his work at the Gallery involves meditating upon how time and the modern transact in a region, we refer to as ‘Southeast Asia’. He was formerly curator at the National University of Singapore Museum (NUS Museum), where his approach centred on deploying archival texts as ploys in engaging different modes of thinking and writing. It was at NUS Museum that he initiated the critically acclaimed accumulative projects Camping and Tramping through The Colonial Archive: The Museum in Malaya (2011), The Sufi and The Bearded Man: Remembering a Keramat in Contemporary Singapore (2010) and co-conceived the experimental space prep room | things that may or may not happen (2012-ongoing). In 2013, he curated In Search of Raffles’ Light | An Art Project with Charles Lim, a three-year collaboration with the artist that tracked the immaterial, mundane and irreconcilable traces surrounding Singapore’s fractured relationship with the sea. Shabbir Hussain writes often, at times about the methodological considerations for the rethinking of curatorial practice in Singapore and is a member of the International Association of Art Critics, Singapore Section.
Dates
Event with Shabbir Hussain Mustafa on his curatorial practice:
26 May 2017, 12am
Hochschule für Grafik und Buchkunst Leipzig - Academy of Visual Arts (HGB), Leipzig
Lecture by Shabbir Hussain Mustafa, "Pyramid of Souls:Some Fragmentary Notes from Southeast Asia":
29 June 2017, 7pm
daadgalerie Studio, Berlin
‘Curators in Residence: Curating Connections’ grant scheme organised by KfW Stiftung in collaboration with DAAD Artists-in-Berlin Programme
Dana Whabira (born 1976 in London, grown up in in Harare/Zimbabwe, where she lives and works) is a trained architect and studied art and design at Central Saint Martin’s College in London. In 2013, she founded Njelele Art Station, an urban laboratory located in downtown Harare that focuses on contemporary, experimental and public art practice. Njelele is a meeting place for critical dialogue where ideas are birthed and resonate out into the city through projects that provoke discussion and engage with the general public.
Events with Dana Whabira on her curatorial practice (in English, free admission):
Dates
17 November 2015, 7pm
Städelschule, Frankfurt
Introduction: Prof. Philippe Pirotte, Dr. Stefanie Heraeus
Organised in collaboration with the MA programme Curatorial Studies, Goethe University Frankfurt, and Staatliche Hochschule für Bildende Künste – Städelschule, Frankfurt am Main
21 January 2016, 7pm
Hochschule für Grafik und Buchkunst Leipzig - Academy of Visual Arts (HGB), Leipzig
Introduction: Prof. Dr. Beatrice von Bismarck
17 November 2015, 7pm
Städelschule, Frankfurt
21 January 2016, 7pm
Hochschule für Grafik und Buchkunst Leipzig - Academy of Visual Arts (HGB), Leipzig
Curators in Residence: Curating Collections' grant scheme by KfW Stiftung at Weltkulturen Museum, Frankfurt
Syafiatudina (born 1988 in Melbourne) is a member of KUNCI Cultural Studies Center in Yogyakarta, Indonesia. In Indonesia, KUNCI is regarded as a cultural studies pioneer and regularly organises artistic research and exhibitions. Founded in 1999, KUNCI has primarily focused on critical knowledge production and sharing via media publications, cross-disciplinary encounters, research actions and artistic interventions.
Exhibition
Exhibition ‘Gloves in Action’, curated by Syafiatudina
Opening: 8 July 2015, 7pm
9 July to 30 August 2015
Tue-Sun 11am-6pm, Wed 11am-8pm
The Indonesian curator Syafiatudina presents her findings on the significance of the amateur researchers’ pursuit of knowledge for museums and their educational mandate. This exhibition was created at Weltkulturen Labor in cooperation with Frankfurt’s private collectors and participants with an interest in arts and culture.
Her exhibition 'Gloves in Action' proposes to create a contact zone, which also embraces the potential of conflict and messiness as a learning process, within the museum. It's a space for co-production, co-operation, and redistribution of knowledge based on ethnographic objects. The exhibition can be seen as a research centre where visitors can observe the objects and build their methodology to analyse them. This idea stems from the principle that people are entitled to participate in the formation of knowledge and its distribution. Thus our individual knowledge becomes the knowledge of all.
Including an interactive lab room, a film installation as well as ethnographic objects from Indonesia, New Guinea and Guatemala.
Side programme:
26 May 2015, 3:30pm
Syafiatudina / Dr. Nicola Müllerschön: ‘Curating Commons’
Conference ‘Art in Conflict’, Zurich University of the Arts (ZHdK), Zurich
24 June 2015, 7pm
Curator’s talk ‘Science and the Amateur Researchers’
Weltkulturen Labor
10 July 2015, 5pm
Curator’s guided tour “Gloves in Action”
Weltkulturen Labor
Mapping Southeast Asia: Contemporary Art and Public Space
Panel talk with grant holders of KfW Stiftung on the occasion of the Asia-Pacific-Weeks Berlin 2015.
"Curators in Residence: Curating Connections" grant scheme organised by KfW Stiftung in collaboration with DAAD Artists-in-Berlin Programme
The Indian curator Zasha Colah (born 1982 in Mumbai, where she lives and works) often adopts collaborative and participatory approaches focusing on issues surrounding cross-cultural transfer, cultural autonomy and cultural heritage in an unstable socio-political context.
In 2010, she teamed up with curator Sumesh Sharma to found the Mumbai-based Clark House Initiative, an independent space for projects and exhibitions dedicated to exploring new curatorial methods. Two years earlier, she had organised "blackrice", a communal project in the Indian state of Nagaland. With degrees in history of art from Oxford and in curating from London, Colah was curator at Mumbai's CSMVS Museum, formerly known as Prince of Wales Museum of Western India.
Events with Zasha Colah (in English, free admission):
28 October 2014, 7pm
Hochschule für Grafik und Buchkunst Leipzig - Academy of Visual Arts (HGB), Leipzig
Lecture “Curatorial Perspectives: Clark House Initiative Bombay”
Einführung: Prof. Dr. Beatrice von Bismarck
12 November 2014, 7pm
KfW, Berlin Branch
Zasha Colah in conversation with Sawangwongse Yawnghwe Moderator: Dr. Astrid Mania
Welcome address: Dr. Ulrich Schröder (Board of KfW Stiftung), Katharina Narbutovič (director of DAAD Artists-in-Berlin Programme)
Introduction: Dr. Nicola Müllerschön (Programme Manager Arts & Culture, KfW Stiftung)
19 November 2014, 7pm
Städelschule, Frankfurt
Introduction: Prof. Philippe Pirotte, Dr. Stefanie Heraeus
Organised in collaboration with the MA programme Curatorial Studies, Goethe University Frankfurt, and Staatliche Hochschule für Bildende Künste
– Städelschule, Frankfurt am Main
"Curators in Residence: Curating Collections"grant scheme by KfW Stiftung at Weltkulturen Museum, Frankfurt
The South African curator Farzanah Badsha (born 1978 in Durban, lives and works in Cape Town) uses her research on the Weltkulturen Museum's collection of South African prints from the apartheid era of the 1970s and 1980s to set up an exploratory exhibition in the Green Room, displaying works by John Muafangejo, Azaria Mbatha and Dan Rakgoathe from the museum's South Africa collection.
Badsha was project manager for visual arts at Cape Town's Africa Centre before becoming a member of the curatorial panel for the city's public art project "art54". Her main focus lies with South African documentary photography from the 1980s.
Exhibition "Hinter dem Schnitt/Behind the Blade", curated by Farzanah Badsha
15 July to 31 August 2014
Tue-Sun 11am-6pm, Wed 11am to 8pm
Opening: Mon, 14 July 2014, 7pm. Free admission
Side programme:
Wed, 23 July 2014, 7pm
Talk with Farzanah Badsha on the exhibition
(in English)
EUR 5 / reduced fee EUR 2.50
Sat, 26 July, 2pm
Guided tour with curator Farzanah Badsha
(in English)
Price included in the admission fee
All events at:
Weltkulturen Labor
Schaumainkai 37, 60594 Frankfurt am Main, Germany
Dates
15 July to 31 August 2014
Tue-Sun 11am-6pm, Wed 11am-8pm
Opening: Mon, 14 July 2014, 7pm. Free admission
Weltkulturen Labor
Weltkulturen Museum
Schaumainkai 29-37 60594 Frankfurt am Main
Programme Management
Daniela Leykam
Photo credits:
01. Image: Source: Berliner Künstlerprogramm des DAAD, Author / Photographer: Jens Ziehe
02. Image: Source: Omar Berrada, Author / Photographer: Victoria Tomaschko